(Kelly O'Connell Mystery #8)
Genre: mystery
When four young men sign the rental contract on a Fairmount House, realtor Kelly O’Connell has no idea she has just signed a contract for chaos. But the racial tensions sweeping the country erupt in Fort Worth, and her tenants fan the flames. A young black policeman shoots an unarmed white teenage thief who charged him, the chief of police is shot by a sniper, and Kelly’s husband, Mike, is appointed interim chief of police.
Life changes dramatically for Kelly and her family. Protests, threats, beatings, and graffiti mark daily life in Kelly’s beloved city. She must protect her infant, reassure her older daughters, and support Mike as he deals with the racism and dissension creeping through the police force and the city.
How can she keep her family safe and stop the hate? Will the mayor’s city-wide Celebration of Neighbors calm a city on the edge?
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“We got to get outta property management, Kelly, or else I’m gonna blow my stack at someone.” Keisha sipped at her wine, put the glass on the coffee table, and sank back into the couch.
Keisha is my office manager, confidante, trouble-shooter, and general all-around angel. She came to my office through a work-study program at an alternative high school, and I’ve blessed the day ever since. Big and black, Keisha is a style show unto herself, specializing in colorful, loose, flowing outfits, spike heels, and equally spiky hair, often tinted to match the outfit of the day. She and her new husband, José, are in their late twenties, whereas Mike and I are pushing uncomfortably close to forty. The age gap makes not one whit of difference in the closeness of our families.
I had taken a day out of the office, even though nowadays I was mostly back there, taking twelve-month-old Gracie with me. She had her own Pack ’n Play and almost a complete nursery in one corner of the office. After the kidnapping scare when she as an infant, I still couldn’t bring myself to trust anyone else with her care, except occasionally Keisha and her husband, José. I’ve never left my baby with my mom, who lives just blocks away. That, as you can imagine, is the source of some bitter comments.
Today, I just wanted to stay home with my baby. I knew the baby days would pass too quickly. Keisha was reporting on a young man who wanted to rent a house. It was property we managed for a client, not something I would have ever added to our company holdings.
“He came in, took one look at me, and asked, ‘Where’s the boss?’ Polite as I could, I said you were out for the day, but I could help him. He looked real displeased, but he told me he and three other ‘men’ wanted to rent that house on Alston. Saw our sign.”
I knew the house only too well. It was a square box, two-story, four bedrooms upstairs, living, dining, and kitchen down. The owner was a good client, who had bought and sold much more costly residences through our office, and I didn’t want to alienate her. My suggestion that she sell this property fell on deaf ears, but she did paint and update the kitchen and bathrooms. Still it wasn’t charming or old or Craftsman, not one of the houses that distinguished our historic neighborhood.
“I whipped out the form, asked him to fill it out, told him we’d check his references and get back to him, and that we also needed references for his roommates. All this time he stood in front of me like a statue, no smile, no introduction. I indicated the chair by my desk, but he stayed standing. When I said we’d need to meet the other tenants, he looked disdainful.
“‘I’m sure that won’t be necessary,’ he said. ‘I’ll discuss it with the realtor when he returns to the office.’
I told him the owner was Ms. Kelly O’Connell, and he got that sour look on his face again.”
“I wonder what his problem is,” I said idly. Honest, I was more interested in watching Gracie’s efforts, so far unsuccessful, to pull herself up. It wouldn’t be long, and she’d be standing . . . and then walking. I sort of hated to see my baby grow up.
Keisha’s next words pushed Gracie and kidnapping right out of my mind.
“Kelly, you know what his problem was. It was me. I’m black...”
Judy Alter is the award-winning author of three mysteries series: Kelly O’Connell Mysteries: Skeleton in a Dead Space, No Neighborhood for Old Women, Trouble in a Big Box, Danger Comes Home, Deception in Strange Places, Desperate for Death, and The Color of Fear, and the forthcoming Contract for Chaos; four in the Blue Plate Café Series: Murder at the Blue Plate Café, Murder at the Tremont House, Murder at Peacock Mansion, and Murder at the Blue Plate Cafe; and two Oak Grove Mysteries: The Perfect Coed and Pigface and the Perfect Dog. She is also the author of historical fiction based on lives of women in the nineteenth-century American West, including Libbie, Jessie, Cherokee Rose, Sundance, Butch, and Me, and The Gilded Cage, She has also published several young-adult novels, now available on Amazon.
Find her at http://www.judyalter.com or her blog, Judy’s Stew, at http://www.judys-stew.blogspot.com.
Twitter: https://twitter.com/JudyAlter